The Bottom Line
Waylon Jennings officially became an "outlaw" with this album. He bucked the Nashville
system and took control of his own music, choosing his own musicians and producing his own
music. He chose for this first effort the songs of Texas songwriter Billy Joe Shaver, who's
become a legend in his own right. Together Jennings and Shaver put together an album of
almost indescribable perfection, and the right start to a whole new era of country music.
Pros
- "You Ask Me To"
- "Ride Me Down Easy"
- "Honky Tonk Heroes"
Cons
Description
- Waylon Jennings' first self-produced album.
- Remastered with two bonus tracks, both also Billy Joe Shaver compositions.
- The official beginning of the "Outlaw country" movement.
Guide Review - Waylon Jennings - Honky Tonk Heroes
When Waylon Jennings died I was astonished to read an article describing him as the "least of
the Highwaymen." I can't remember a time when I didn't know his songs. But outside of the
country music world, people didn't know ol' Hoss the way they knew Kristofferson, Nelson, and
Cash. It's a true shame. Because Waylon Jennings, beginning with this album, single-handedly
saved country music from corporate doldrums for another decade, paving the way for the neo-
traditionalists of the mid-80s and the current crop of alt-country vagabonds and troubadours.
Jennings, the original honky-tonk hero, shines on this disc with fellow Texas outlaw, Billy Joe
Shaver, who wrote most of the songs. These "loveable losers and no-account boozers and honky-
tonk heroes" saved country music, and provide a beacon to all who love real, honest country
music today.
The outlaw country movement took its anthems from this album, including
"Ride Me Down Easy" (which became a hit for Bobby Bare), "Low Down Freedom," and, of
course, the incredible title track. But Waylon wasn't trying to break down walls or start a
rebellion or make history; rather, he was simply trying to make music he could be proud of. Simple as that. Because it came from the heart, it made history.
Ol' Hoss himself never claimed to be anything more than a musician. Haunted by a choice he'd made in the 50's (he
gave his seat on an airplane to friend Buddy Holly), he always strove to make music that touched the soul. He succeeded.
