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Rachel Proctor - Where I Belong

About.com Rating four out of Five

From Matt Bjorke, for About.com

Where I Belong - Rachel Proctor

Where I Belong - Rachel Proctor

The Bottom Line

With a sultry twangy voice, Rachel Proctor has a style that fits in with the current trends of country music. What will keep her on the charts is her songwriting skill.
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Pros

  • “Shame On Me”
  • ”Me And Emily”
  • ”If That Could Chair Could Talk”

Cons

  • None.

Description

  • Released by BNA Records Nashville.
  • Many of the songs co-written by Rachel.
  • A mixture of modern and traditional country styles.

Guide Review - Rachel Proctor - Where I Belong

You may not recognize the name or the voice but if you’ve listened to country music over the past few years, you’ve certainly heard her songs. Martina McBride had a big hit with Rachel’s “Where Would You Be.” Signed to BNA Records around the time Martina released the song, Rachel released “Days Like This” as a single and saw it reach the Top 30. The second single released from Rachel (“Didn’t I?”) failed to chart and thus she had one more chance to impact radio with a single. BNA and Rachel chose “Me And Emily.” As only a country song can, “Me And Emily” tells of a woman who sacrifices a lot to protect her daughter from an abusive husband.

“I’m Gonna Get You Back” reminds me of something that Tammy Cochran would record. It is sung as a ballad in the verses and during the choruses the song is a pure honkytonker. “Shame On Me” is a fine country song in the tradition of Texas chanteuse Kelly Willis. “If That Chair Could Talk” is a strongly lyrical story song about a chair that has been through the good and bad times of a family’s life. “If You’re Gonna Leave Me” is a fun Gretchen Wilson styled rocker while “Where I Belong” is a beautifully constructed ballad that ends the CD on a blissful.

With 11 diverse tracks, Rachel Proctor’s “Where I Belong” is one of the better debuts to be released in 2004. With many impact-making singles and CDs being released, 2004 is becoming as the year of the female newcomer in country music.

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