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Various Artists - Salute! The World War II Tribute Album

About.com Rating three out of Five

From Kathy Coleman, for About.com

Various Artists - Salute! The World War

Various Artists - Salute! The World War II Tribute Album

The Bottom Line

I'm pretty sure this one came to us because of the presence of such names as Kenny Rogers, The Judds, and Crystal Gayle, but it's very much a collection of artists from all genres gathered together to sing many songs roughly from the World War II era. As such, it seems oddly uneven and searching for an identity.
Pros
  • "Rum and Coca Cola"
  • "Boogie Woogie Bugle Boy"
  • "Don't Sit Under The Apple Tree"
Cons
  • "Somewhere Over The Rainbow"
  • No Cole Porter
  • No Glenn Miller

Description

  • Twelve tracks, mostly from America's time in WWII, 1941-1945.
  • Features liner notes written by Charles Osgood and Senator Bob Dole.
  • Released on Curb Records, produced by Rod McBrien and Mike Curb.

Guide Review - Various Artists - Salute! The World War II Tribute Album

I came late for a baby boomer, 1964, the end of the boom, but my dad started his family late. He fought in Italy in the Army Air Corps, and I was raised with the same deep-rooted patriotism of any boomer. My love for the music of WWII came during high school, when a year of 40's era plays were produced by my school. I came to adore that big band sound, the beguiling sounds of Glenn Miller and Benny Goodman. So I had high hopes for this disc, and was eager to hear what today's artists would do with them.

Unfortunately, with some exceptions, a number of these melodies fall flat with new arrangements. There are some highlights, including The Judds' swinging version of "Cow Cow Boogie," and the laid-back Johnny Kemp take on "Rum and Coca-Cola." Marie Osmond wows with "Boogie Woogie Bugle Boy," and LeAnn Rimes does fine with "God Bless America" (although she's no Kate Smith).

I understand that Lee Greenwood made his name with a patriotic song, but to be painfully honest, the guy isn't much of a singer, and does not do well with the Frank Sinatra "Till the End of Time," and American Idol Kimberley Locke's odd rendition of the Judy Garland standard, "Somewhere Over the Rainbow," is just plain scary. Overall, it may have been a stronger collection with more of the well-known songs (such as more Irving Berlin), or with less radical variation in the melodies. I can't see it appealing as a whole to a wide range of listeners, from fans of the originals to today's country-pop fans.

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