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Bloodied But Unbowed: Bloodshot Records' Life In the Trenches

About.com Rating fourhalf out of Five

From Kathy Coleman, for About.com

Bloodied But Unbowed: Bloodshot Records' Life In the Trenches

Bloodied But Unbowed: Bloodshot Records' Life In the Trenches

Bloodshot Records
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Bottom Line:

I didn't have nearly enough time to really give this awesome DVD justice. With more than 3 hours of videos, interviews, documentaries, stories, and miscellaneous, Bloodied But Unbowed delivers hard-charging kick-ass entertainment from the Americana side, roots rock, blues, country, and that pure genre-less sound that just characterizes the whole "movement," if you will. Bloodshot Records has their tongue firmly in cheek and their cards on the table with this one.

Some of the guys on this DVD haven't been through Phoenix, so I haven't had a chance to see them live. This gives me a little taste, and if you're as unlucky as I am (to live in a town where small live venues are as scarce as pots full of gold at the end of rainbows) then this may be the only way you get a chance to see 'em, too. Is it worth it? Yee haw, you bet. The folks at Bloodshot Records know talent, and they're pretty terrific at packaging it, too. There's videos from a diverse swath of Americana musicians here, from the gritty sounds of Bobby Bare Jr (son of the great outlaw himself, of course) to the gentle tones of Ryan Adams and his quiet guitar work. I absolutely fell in love with Jon Langford, whom I've never heard before ("Nashville Radio" is one of the funniest, best songs I've heard in a while!), and I really enjoyed seeing some videos that just don't get played on either CMT and GAC, including Robbie Fulks' live version of "Dirty Mouthed Flo" and Wayne "the Train" Hancock's "Neon Signs and Thunderstorms." Never knew how much I'd like The Sadies and Devil in a Woodpile because I'd never had the chance to hear 'em.
There's so much good music out there not getting played on the radio it's great when some of these independent labels put together collections of their various and diverse artists in a showcase like this, so we can get a chance to give a listen to someone new and different - and, oh, wow, we might just like (no matter what corporate radio thinks). I mean, gee whiz, these are artists who don't look like air-brushed supermodels nor do they think they're Mick Jagger on stage. They're good singers with good songs - and be honest. If you NEED a pyrotechnics show in order to be entertained, how good is the music you're listening to? But the DVD doesn't stop with just showcasing the artists on Bloodshot. Heck, no. There's stories to tell, too. Some of them straight-up documentaries, some of them funny as a Daily Show sketch. "A Bloodshot Primer" is a tongue-in-cheek hoot of a "tell-all" about the life and times of the label itself; "The Sundowners" is a pretty honest documentary, and there's clips from festivals and television shows (a lot of the footage was shot at SXSW - South By Southwest - the original and now, to hear some tell it, commercialized - Austin showcase for independent and new artists).
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